Composition
Rule of Thirds
Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines.
The most important elements in your scene should be placed along these lines, or at the points where they intersect.
Triangle
The geometric shape is a good way of grouping elements of an image and organising them so they suggest stability.
If you want to create an unstable feeling in a photograph then objects can be grouped into an upside down triangle.
Layers
Overlapping where you deliberately partially obscure one object with another.
Balance
Objects in an image have 'weight'. This might be dictated by size, brightness or colour.
Two objects can balance each other out even though they might be different to each other.
Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines.
The most important elements in your scene should be placed along these lines, or at the points where they intersect.
Triangle
The geometric shape is a good way of grouping elements of an image and organising them so they suggest stability.
If you want to create an unstable feeling in a photograph then objects can be grouped into an upside down triangle.
Layers
Overlapping where you deliberately partially obscure one object with another.
Balance
Objects in an image have 'weight'. This might be dictated by size, brightness or colour.
Two objects can balance each other out even though they might be different to each other.
Wild Concreate - Romain Jacquet Lagreze
Chosen Artists
Wild Concreate - Romain Jacquet-Lagrèze
Focusing solely on the phenomena of trees sprouting from residential buildings in Hong Kong, Wild Concrete compares the living conditions between plants and humans. Such peculiar sight of ‘wild concrete’ is by no means exclusive. They can be found everywhere in the heart of the city: roots spiralling down the external pipes of a Mong Kok loft; shoots lurking behind a window frame of an apartment in Central hills; or branches spreading across a residence in Sham Shui Po, collapsing it from the inside out.
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Strata
Michael Wolf
Some of the structures in the series are photographed without reference to the context of sky or ground, and many buildings are seen in a state of repair or construction: their walls covered with a grid of scaffolding or the soft colored curtains that protect the streets below from falling debris. From a distance, such elements become a part of the photograph's intricate design.
Andy yeung